INTERMEDIARY





FISSURE IN THE FOG

2017






FAKE NEWS




GRUMIXÁ DE
FRIGÂNIOS





THE SUBSTANCE OF
THINGS HOPED FOR /
THE MAIAS

2015





BIG DATA





TORPOR




THE COGNITIVE
BUSINESS OF
BEHAVIOUR

︎︎︎ FAIRS
︎︎︎ EXHIBITIONS

︎︎︎ CATALOG


Some of Edições Membrana’s publications are available for delivery by post.


︎ email requests




EDIÇÕES MEMBRANA

2021   THERE IS NO TIME – IT’S ALL EROSION ︎
2019   DEVIATION ︎
2018   BLIND SPOT ︎
2018   INTERMEDIARY
2017   FAKE NEWS #1 #2
2016   SPECTACULAR DEMOCRATIC REGIME ︎
2015   BIG DATA
2015   TORPOR
2015   THE COGNITIVE BUSINESS OF BEHAVIOUR

2018   FISSURE IN THE FOG
Julia Pedreira
2017   POINT TO SCALE, MASP ︎
Marcius Galan
2017   GRUMIXÁ DE FRIGÂNIOS
Alexandre Barbosa de Souza
2016   THE SUBSTANCE OF THINGS HOPED FOR /
THE MAIAS
Antonio Farinaci

CATALOG

Some of Edições Membrana’s publications are available for delivery by post.

︎ email requests


There Is No Time – It’s All Erosion

Marina Oruê, Douglas Garcia


The publication There Is No time – It’s All Erosion proposes a short reading from the idea of a time naturalized as unique, the "abstract time of machines", contrasting with the erosive and sedimentary processes that point to the "geological time".

The photographic images of rocks that compose this visual essay were edited to go through a specific printing process, with reticles and saturation, in order to create traces of layers and an allusion to the "geological time". Douglas Garcia took the photos, made the research and edited the images.

The essay about the "abstract time of machines" was written by the visual artist Daniel Jablonski, invited by Edições Membrana. Marina Oruê’s graphic design, based on the publication’s title, explores the use of the letters in Portuguese and English highlighted by graphic layers suggesting the intertwining and simultaneity between the pages.

The publication was launched at Printed Matter's Virtual Art Book Fair (PMVABF), New York, February 25th to 28th, 2021.
13 x 18,5 cm, 56 pages
print by risograph 2 colours:
medium blue, warm red
on markatto edition crema 140g
and pólen bold 90g papers
singer sewn bound
bilingual edition of 100 copies,
numbered Portuguese/English

images and edition, Douglas Garcia
graphic design, Marina Oruê
text by, Daniel Jablonski
proofreading, Mariana Moura
translation, Juliana Lopes
printing, Entrecampo

São Paulo, SP, January 2021
Edições Membrana






Deviation

Douglas Garcia


From 2011 to 2019, the photographer Douglas Garcia carried out the photographic project Deviation, which took shape as a book edited by Edições Membrana.

Deviation is the process of capturing images of the city, mediated by a question, its answers and replies (a reply to other replies). The question was proposed to artists in the form of an invitation to create, suggest or indicate situations in the streets of São Paulo. The replies appeared in the form of gridded images of those answers. The attempt of searching for diversions or gaps was found among adverse circumstances, staged situations and the edges of the photographic frame.

Executing the project involved observing the inescapable, adverse and ephemeral relations that permeate the context of the streets and their concreteness, the purposeful actions inserted in the streets by guest artists and the photography as a program or model for capturing images, as do surveillance cameras, cell phones or scanning satellites.

The images were captured based on the idea of the absence of a main object and the division of the photographic frame into 9 parts, all of them having the same value, each fragment corresponding to an individual page of the publication.

Guest artists: Adriano Costa, Bruno Mendonça, Daniel Jablonski, Deyson Gilbert, Erica Ferrari, Fábio Morais, Flora Leite, Guilherme Peters, Gustavo Rezende, Marcius Galan, Rachel Pach and Tiago Santinho.

The book was launched in the 23rd of Tijuana SP Printed Art Fair, at Casa do Povo, São Paulo, Brazil, August 3rd to 4th, 2019.
14 x 21 cm, 108 pages
printed by indigo
on markatto 120g paper
edition of 90 copies

photographs, Douglas Garcia
graphic design, Marina Oruê

guest artists, Adriano Costa, Bruno Mendonça, Daniel Jablonski, Deyson Gilbert, Erica Ferrari, Fábio Morais, Flora Leite, Guilherme Peters, Gustavo Rezende, Marcius Galan, Rachel Pach e Tiago Santinho

São Paulo, SP, August 2019
Edições Membrana




Blind Spot

Marina Oruê, Douglas Garcia


The zine Blind Spotis a visual essay based on different elements: a scanned image of the back of a retina, a model of a metropolis, as well as textures and color saturation that form a brief visual narrative, pointing to the inevitable relations involving the autonomy and normalization of the vision.

The zine Blind Spot was launched in the 20th edition of the Tijuana SP Printed Art Fair, at Casa do Povo, São Paulo, Brazil, on August 25th and 26th, 2018.
16 x 22 cm, 20 pages
print by risograph 3 colors:
orchid, lightlime and pinkfluor
on pólen bold 90g paper,
singer sewn bound
printing, Risotropical
edition of 60 copies

São Paulo, SP, August 2018
Edições Membrana






Point to scale, MASP

Marcius Galan


The work Point to scale, MASP, idealized by Marcius Galan for the exhibition "Avenida Paulista", at MASP, consisted of a large black circle made up of a fabric measuring 50m in diameter that covered almost all the freestanding space. It represented a point in 1:1 scale from a map available in the museum, according to its scale and subject to the use of space and the action of time.

The editorial and graphic design of the publication Point to scale, MASP was conceived from Douglas Garcia's photographic record of Marcius Galan's work in the architectural space.

The publication Point to scale, MASP was launched in Tijuana SP Printed Art Fair, 16th edition, at Casa do Povo, São Paulo, Brazil, August 5th to 6th, 2017.
18 x 24 cm, 32 pages
print by risograph 2 colours: black, red
on markatto 120g and rives 90g papers,
singer sewn bound
250 numbered copies in Portuguese
and 100 in english

photographs, Douglas Garcia,
Edouard Fraipont
interview, Fernando Oliva
image editing, Douglas Garcia
graphic design, Marina Oruê
printing, Meli-Melo Press

São Paulo, SP, July 2017
Edições Membrana




Spectacular Democratic Regime

Marina Oruê, Douglas Garcia


The publication Spectacular Democratic Regime was originated from the idea of identifying and relating instances of quotidian expropriations involving media power, the individual, the crowd and democracy.

The RGB color broadcast, the images, the words and the figures used as elements for the construction of the visual narrative of the publication and the poster were extracted from moments experienced on April 17th, 2016.

The Spectacular Democratic Regime poster and publication were launched in the 10th edition of Tijuana Rio Printed Art Fair, at Escola de Artes Visuais, EAV, Parque Laje, Rio de Janeiro, Brazil, on May 7th to 8th, 2016; and in the 11th edition of Tijuana SP Printed Art Fair, at Casa da Povo, São Paulo, Brazil, on September 3th to 4th, 2016.
14 x 20 cm, 16 pages
digital print on color plus 120g paper
laser cut, hand-sewn
edition of 20 copies

São Paulo, SP, April 2016
Edições Membrana